Tuesday, December 22, 2015

Photo Gallery

Uploaded 12/21/15

First drive after completed restoration with Spunky, Morgan Mare



First drive after restoration completed, with Spunky, Morgan mare


Uploaded 12/23/15

Swedish Viktoriatrilla, circa 1920


Oregon High Desert in a Home Made Wagon, around 2011

A Good Old Spring Wagon, Half Restored and Likely to Remain That Way
Australian Jinker (Sulky) ca 1920s.  Imported to US and restored 2003
Laddie, Clydesdale x Standardbred, Christmas Day, 2015
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Our 40th Wedding Anniversary, 8/18/13

Mid-Restoration Shakedown Cruise 3/15




Laddie Drive 2/15



Balancing a Two Wheeled Vehicle - Australian Jinker ca 1920s Restored 2002














Friday, December 11, 2015

FIN - Part II

I don't really have any photos of finishing the side panels.

Because there are no buttons (the panels are much too short and the simple job doesn't need them anyway) I applied upholstery materials directly to the panels and finished them in place.










My biggest challenge was to work around this brace.  I took this assembly off for restoration and when reinstalling it, I opted for a carriage bolt and nut rather than the rivet, to which I am pointing.  I was afraid that if I tried to set another rivet I would split the wood...and besides, I didn't think I could source new, ornamental rivets.  The nut on the new bolt sticks out quite a bit, even though I ground some of the thickness off.

Well, don't be shocked.  I put some duct tape over the nut to soften the edges.

I needed something firm for a foundation around the hardware - I didn't want to make a big bump in the finished job.  So I used some 3/8" thick very dense foam or sponge rubber, ie a camper's sleeping pad! - and cut two pieces, one to fit the panel in front of the iron brace and one to fit behind.  The foam was spray glued in place on the panel.

I packed some polyester batting over the top of the brace and...hah!  Put a strip of duct tape across everything to hold it in place.

I next cut 1" extra firm foam rubber to fit the entire panel.  I actually cut the foam 1" shy of the bottom of the panel, and a little short in back, for fitting, spray-gluing into place over the foundation, and leaving a little sticking out over the edges of the wood.  Again, I didn't want excessive bulk to interfere with the bottom cushion.  I spray-glued a suitably oversized piece of vinyl onto the foam and stretched and tacked it in place in the same manner as the seat back cover.

The iron brace is invisible under the finished cover.

The vinyl stretched so nicely over the front corner, I didn't have to take a tuck in it.  At the back, things are basically hand-fit, folding the raw edge over in a manner that matches up with the back cover.  I did a little hand-stuffing around the back.  At the bottom, the foam self-formed nicely when stretched tightly and stapled down.

Excess vinyl trimmed to just inside the edge of the wood.


Finishing up - usually some sort of decorative strip is applied to the raw edges of the upholstery to hide the tacks and give the work a finished look.  There are several ways to do this.

Probably the most familiar one is a folded piece of "self" (same as the upholstery) material, tacked in place over the raw edges with ornamental tacks.

Another way, if you are using fabric, is to make a similar folded strip of self material and hot-glueing it to the raw edge.  I did this on one and it looks really posh.

I am not a big fan of exposed tack heads on the outer edge.  That doesn't mean a thing.  The original upholstery had exposed tacks.  What I used on this project was a pre-made edging called "Hidem Welt".  This is probably a product that appeared decades after the vehicle was first made, so is historically inaccurate...sigh...

Hidem Welt is also available from Witmer Coach Shop.

As you can see, the welt is about 3/4" wide, and has two lengthwise beads running down the center.



The strip is placed along the raw edge of the upholstery and tacked or stapled into place, by forcing the beads apart and tacking between them.  Then they are smoothed together, to hide the tacks/staples completely.

The biggest problem with Hidem is finishing the ends.  I had some real end-finishing problems with this carriage and I didn't do a good enough job to brag about it here.  Just giving you options.

Once the raw edges of the material are finished, the job is pretty much done and it's time to make a bottom cushion.



Like all things carriage, there are many different ways to make a bottom cushion.

You can make a completely fabric soft cushion with nice piping around the edges.

YOU can make one...I can't!  I have tried and failed to match corners on a properly made soft cushion.  I can't do a good job of the welting.

I HAVE upholstered a plywood sheet with a slab of foam on it and a nice fabric cover with a piped seam around the top.

But my favorite way to make a bottom cushion is to upholster a little wooden tray, like this.

When inner springs came into use for carriage cushions, they would likely have been mounted in a wooden frame, so this idea isn't so far fetched.  I actually prefer an inner spring cushion, but this tiny little seat just doesn't have the depth to accomodate springs.

Anyway, first up is to make the tray.  This tray has a 1/4" thick plywood bottom, and the sides are 1/2" x 1 1/2" poplar, all screwed together with 1" #6 screws.  there was some hardware to work around...each seat is different.  You can always make cutouts in the tray bottom to fit around the iron...that will actually help hold the cushion in place in actual use.

The tray is a slightly loose fit, probably about 1/2" smaller on the sides and back than the bottom of the seat.  Upholstery will quickly gobble up any looseness.



I had actually intended to buy 1/2" x 2" pieces for the sides of the tray, since I am using 2" thick extra firm foam for the cushion foundation.  This actually turned out just great...I cut the foam to fit snugly inside the tray, then glued a little 1/2" strip around the top of the frame.  This ended up cushioning the edge of the frame (which had been rounded a tiny bit with a sander) perfectly in the finished cushion.








As for the seat back squab, I experimented with a layout for buttons, with channel widths and diamond dimensions the same as those on the seat back cushion.





Once the layout was determined, I cut out a piece of 1" extra firm foam that was, oh, 2" larger all the way around than the tray.  Marked my centerlines.

I cut out a piece of vinyl 6" wider all around than the tray, and prepared it just the same as for the seat back cushion.





















































I wanted to get a little extra loft for the buttons, but did not have a lot of vertical height to play with, and also did not have any of the 1" polyester quilt batting.  I ended up glueing a piece of the 3/8" thick super dense camping pad material to the underside of the 1" foam, where it could do double duty, cushioning the edge of the wooden frame.  Cotton drill glued to the bottom with spray adhesive.







Buttoning proceeded as for the seat back squab.














I have actually turned the frame upside down on top of the prepared top cushion and cover.  You can see I have too much pad, so I trimmed the edges of the foam (with scissors) to just a little overhang...to provide a little bit of "muffin top" around the edges.

Note I have made marks on the sides of the frame, where I want the pleats to match up.

I am actually going to start pulling the cover tight over the bottom of the tray and staple to the underside with removable staples.




The cover is pulled tight and looks deceptively finished but it is not.  Anyway, it's nice and uniform for this stage














Stapling in progress.  Corners are always fun.  I don't have any advice, but I managed to fold the cover at the corners and ended up with little 1/2" tall folds that don't show from the front.










Okay...actually got a picture of it...

















At this point I stopped to make up some seam welting (or piping).  To do this, I cut a 2" strip of vinyl and folded and sewed it over a piece of cord with my little portable machine, which has a zipper foot.  My big industrial machine does not.









I marked a line all the way around the cover, measuring 1 1/2" up from the bottom edge of the tray.  This put the line about 1/4" below the upper edge of the frame.











...Like so, again using the white Stabilo pencil.

As per the photo above, the seam line of the welting was lined up exactly with the pencil mark, starting at the center back of the cushion, stretching the welting gently.











At the beginning/ending point of the center back, the welt seam is opened and a bit of cord cut back.













The trimmed end of the welt is lapped over the other end and tacked in place.  Nice finish.












Once the welting is tacked into place, I trimmed all the excess cover material flush with the bottom of the frame.












The trimmed cushion.  Now we need to make a "skirt" for the sides.

To do this I measured the distance around the frame and made up 6" wide strip of vinyl that would pull very snugly down around the frame.











The ends of the strip are sewn together, to make a big loop, like a giant rubber band.













I have marked a 1" seam allowance all around the top edge of the "skirt".  I have pulled the inside-out skirt down around the top of the cushion, matching the seam allowance up with the seam on the welting.  The skirt is now tacked or stapled in place.

For the next step, you need some kind of material to use as a "tack strip".  It needs to be something with a good, firm edge.  Heavy card stock will do, which is what I used.  I cut card stock in strips 1 1/2" wide.  I butted the long edge up along the seam allowance marked on the skirt and stapled it FIRMLY down, making sure that it was butted up as tightly against the welt seam as possible.


Then I pulled the skirt right-side-out and down over the frame.  All that's left to do is pull the skirt down smoothly, fold it under the bottom of the tray and staple/tack in place.













After the cushion skirt was pulled tight and stapled well down, I added a "seat fall".  This is a little curtain hanging down from the front of the cushion which is common to most buggies.

I do not have photos of the process but there's not much to it.  I measured the carriage so the fall would fit nicely inside the seat risers and simply cut and sewed vinyl in the right dimensions, then tacking in place on the underside of the cushion frame.  I finished the bottom of the cushion with a nice piece of vinyl, cut and hemmed to fit.

At the bottom of this seat fall you can see an extra seam.  That is there to form a little pocket to slide a metal rod into.  This helps weight the bottom of the fall and makes it hang straight.  If you are using fabric for the seat fall, you might want to stiffen the material with some iron-on pellon which is a product used in garment making to stiffen collars, etc., and is available in fabric stores.

That's it!

Happy restoration, everyone, this pretty much brings the blog to an end.  Thank you for sharing the journey with me!





















Thursday, December 10, 2015

FIN - Part I


Well, here she is.  For better or worse, the restoration of "Spunky's Flyer" is finished.














There is no pinstriping, and no lamps.

Regarding the lamps, there is just something about the lines of the carriage which made lamps look simply like clutter.  It never had lamps, and although I have a pair, I opted to leave them off.

Pinstriping:  As long as there is none on it, it can be added later.  However I had a REALLY BAD experience trying to do it myself with a Beugler striping tool.  I tried to pull a line along one of the bolsters before I reassembled the carriage.


I made a mistake on the first try and attempted to wipe the black paint off the yellow bolster.  Somehow or other, the black paint smeared and became an indelible part of the yellow paint.  I had to sand the bolster down and repaint it.  Although I have a professional striper willing to do the job for me, I just have no desire whatever to hand it over to someone else as you will soon see why.  In today's market, the value of the buggy has already been exceeded by the cost of materials, not to mention personal labor, and since it's not for sale anyway, I've decided to postpone striping indefinitely.

That leaves upholstery as the final step to finishing the restoration.

First of all, I do NOT know how to upholster.  That means that whatever you read here is not  a how-to guide, but rather a record of how I did it.  If you pick up enough tips to do your own upholstery, that's great.

I don't know how to paint either.  That sort of thing doesn't usually stop me from trying anyway.

Whatever I do know about applying fabric and foam to a carriage seat and getting a pleasant result, I learned from the old A & D Buggy Shop video.

Sadly, it appears that all my copies of the video have deteriorated to the point of being nearly useless.

But I kept prodigious notes and photos on my two previous "button jobs", including the absolute heartbreak of doing this green thing not once, but THREE times.


The first carriage I ever rebuilt was a completely unrecognizable pile of rusty metal and rotten wood.  But for some reason, I felt I couldn't upholster it, even after doing all the work of resurrecting it.  So I sent it to an upholstery shop, and got this back.

What you don't see, is that the man didn't know how carriages were upholstered.  Without my permission, he drilled holes in the seat backs, and pulled his tufting twine through, then tacked the twine to the OUTSIDE of the seat backs.  He then nailed a strip of crappy lath across the holes and painted it.  He then charged me $400, which in 1979, was a month's wages for me.  This experience, along with others, made me deeply suspicious of sending any work out to "professionals" and fueled my Do-It-Yourself spirit.



Carriage upholstery is first made up in separate pads, called "squabs" and tacked into place.
















 The seat back - or "lazy back" cushion on this buggy is built on a foundation of canvas with some card-type stiffening at the bottom.  The buttons have loops through which a stiff wire passes to hold them in place.   This is how the tufting is done without anything showing on the outside of the seat.  A single row of springs, stapled to the wooden seat back near the top provided a bit of extra comfort.

The upholstery job I am doing bears no resemblance to the original method.





 


I have watched what was still view-able of the old video and realized how much of it was seat-of-the-pants.  So, that's me.  The current project is so uncomplicated, compared to the first two projects that I attempted, I reassured myself I could do it.  But the pain of the last job is still so fresh in my mind (what four? five? years ago!) that I have delayed starting.  If you hope to learn to upholster by reading this, bear in mind...it's all seat-of-the-pants.

Well, I started.  And I am going to tell you, step by step, how I am doing it, in hopes that the old A & D video will live on and help other DIYers.


The old cushion was a very simple pattern with large diamonds.  It was stuffed with black horse (I'm assuming) hair, which was considered a superior stuffing.  The stuffing in the Viktoriatrilla cushions was some sort of dry grass, and the little bit left on the Jinker looked like clothes dryer lint.  Probably some sort of felt.  The cover is leather and is very much perished.  The buttons were painted, not covered.  There are sixteen buttons in the back cushion.




 The restoration of the wee buggy was finished in the fall of this year (2015) and I spent many delightful hours driving it with annoying, loose padding before parking it for the winter.

The experience of actually driving it brought me to the decision to upholster it with vinyl, which I know will disappoint a lot of people who have been following the blog.  Well, I've made a number of decisions with a view to practicality during the restoration, and a working carriage doesn't need a stain-able, fade-able cloth cover.  And leather is just not happening for this amateur.  I had to re-do that green cushion three times before I got it right and at $83 per yard for the green wool broadcloth material, six yards total,  my mistakes were extremely expensive.  Simple and durable won the decision.

 Being painfully wary of failure, the first thing I did was draw a fairly accurate diagram of the seat back.  I ran off several copies  To use during separate procedures.












One of my objectives is to match the tufting pattern as closely as possible, so the first thing I did was diagram the original pattern  The  diamonds are 5 1/2" wide and 7 1/2" tall.  Those are big diamonds!

If you do not have the original upholstery to work from, you will have to invent your own pattern.  Take a look at the edges of the drawing (which is not entirely accurate), and you will notice a pleasing border of "channels", straight lines fanning out to the edges around the perimeter of the diamonds.  My notes say that the buttons should end somewhere around 2" from the outside edges. When you're planning your job, it's nice to come out with such a border.  The lower tier of buttons on this job starts at 7" from the bottom, which coincides with the "joint" between the lower and upper seat back panels.  When you are planning your job, consider where the top of your bottom cushion will be - if it is 4" thick, you'll probably want your lower tier of buttons to be at least 5" from the bottom, otherwise they will be covered up by the cushion.


My regular camera died in the middle of this project, so I ended up taking a few pictures with my cheap cell phone.

At any rate, once I had my button pattern mapped out, it was time to commit.

Since I'm not using any springs, the first step was to glue a piece of 1" foundation foam to the back of the seat.  The foam is "extra firm". The cutouts are for wooden "ribs" that hold the upper and lower halves of the seat back together.  The seat back and foam were sprayed with adhesive...the old video recommends 3M #74 spray adhesive.  You can actually see the seat back through the foam...the foam was subsequently trimmed to the outline of the seat back with an electric carving knife.


The next step was considerably trickier; cutting out the 2" foam for the squab cushion.  Again, the foam is "extra firm".

There is probably some industry standard that tells how much the foam will "shrink" when sucking tufting buttons down, but I don't know where to find it, and neither did the A&D video state a formula...he was obviously muttering guesstimates when he made the video.  And some of his mutterings cost me big time on my last project.

You see, for every button you shove down into the foam, the dimension of the slab change a bit, getting ever smaller.  So you need to allow for this shrinkage.  How much?  Mutter mutter...

For this job, I allowed 2" extra all around, except at the bottom.  The 2" at the top has proved to be a pretty faithful estimate.  For the rest of this project, which has relatively few buttons, I ended up with a little extra on the sides, which was easily trimmed before tacking the squab to the seat.

So, I have got a 1" foundation of foam glued to the seat back, and am preparing to make up a 2" pad, on the workbench, which will later be transferred to the seat and tacked in place.


Fit up - the cushion "pooches out" from the seat back because it is a bit oversized, which at this point is what we want.  I learned to draw centerlines on EVERYTHING, front and back.  The vertical line does not look centered, but that is a trick of the camera.  The lower horizontal line is supposed to represent the joint between upper and lower halves of the seat back, which is also where the bottom row of buttons will be.

Centerlines on EVERYTHING, front and back at this stage.



I am going to begin working on the cover.  It can't be overstated that everything needs to be STRAIGHT and SQUARE with buttoned upholstery, so the first thing I am going to do is make sure that the cut edge of the material is square with the selvage edge.  Note:  I bought four yards of vinyl for this project and that worked out just about right for this small seat.  The yardage was just a guess.





It's nice to work on a surface that would allow you to temporarily tack the cover material down square in the corners.  I don't have a surface like this, but vinyl doesn't stretch and move like fabric, so I muddled through.  Allowing for "shrink" when the buttons are pulled down, I laid the foam on the vinyl and traced it, giving myself a good 8" extra all around, and cut my material from the roll.







The next task is to lay out the diamond design on the back of the cover.

The one thing I have found pretty consistently reliable is that when stitching the diamond pattern (yes, it is stitched, not hand-tufted), the pattern will "lose" 1/2" vertically and horizontally.  The finished size of the original diamond pattern was 7 1/2" vertically and 5 1/2" horizontally.  So when I drew the diamond pattern onto the cover, I drew them 6" wide and 8" tall.  Likewise the "channels" are 6
" wide.  All diamonds and channels were marked out starting from the center.

My old camera had died at this point, so I missed a few shots.  Here I'm "faking" a few pics just to show the steps.

Once the pattern was marked out on the back of the vinyl, it is time to stitch them.  To do so, I fold the material along one of the pattern lines (I always begin in the center and work outward) I put the needle exactly at the point of a diamond and began to stitch, backstitching at each point.

According to the video, diamonds are sewn first, half diamonds second, channels last.













As I stitch, I arc slightly away from the fold line, about 1/8" and as I reach the next point, arc gently back in, so the needle ends up at the exact point of the diamond. Backstitch.

















So the individual seams begin to look something like this...



















The back side of the cover will look something like this...

(This is the bottom cushion cover, as I did not get photos of the seat back cover)











And the outside will look something like this.














A lot of the upcoming photos are of the bottom seat cushion and not the back, because I didn't get photos of all the work on the back.  It's all pretty much the same.

Before putting pad and cover together, a piece of cotton "drill" was glued to the back side of the foam.  You don't have to use drill.  Muslin or just about anything will do.  Once again, center lines are drawn.






I actually ended up drawing the complete button layout on the drill, just to help me keep everything straight and parallel.











I marked the front side too, although this wasn't really necessary.

What I don't have to show you here (since I didn't buy the right stuff), was the A&D video calls for gluing a 1" thick piece of poly quilt batting on the top of the foam, to give extra loft to the tufts.













We are back to the bottom cushion for the next few photos.

Once the pad is prepared, the cover is laid on top of it and all the centerlines are carefully matched up










In the A&D video, the outline of the pad was traced onto the underside of the cover before flipping it over, and a both were sprayed with glue around the perimeter and stuck together.

Anyway, here we go.  Time to install buttons.  It is best to have two yard sticks for this operation, but one will do.  Lay the stick along a row of button points - this will guide you in inserting the button prongs.






Button prongs?  Yes!  The buttons have "legs" that push through the cover and foam, a washer is installed on the back side, and the prongs are spread apart to hold them in place.  These prong style buttons are available from Witmer Coach shop, either painted or covered, and they will cover buttons with your material if you desire.   These buttons are painted, and I really like them.  However, the prongs are painted together and had to be separated with a slim knife.





Here I have pushed the buttons through but I have not fastened them down.  I used the yardstick to make sure they are exactly in line - a second yardstick can be positioned parallel to the first to assure the next row is exactly parallel to the first.  An ice pick or similar can be used to make a small opening at each diamond point.








The entire assembly is then very carefully turned over.  The foam is compressed enough for the button prongs to push through the fabric backing.

Now, starting in the middle, a washer is installed over the prongs.  The foam around each set of prongs is forced ALL THE WAY DOWN AS FAR AS IT WILL GO, and the prongs are spread out.  Work from the center outward.









The pad was turned over, and is basically ready to install on the seat back.   Obviously I allowed myself plenty of excess around the edges.

Now it's a matter of fit up.  Here is where you'll be glad for all those centerline markings!   There was no way I could take picures.  However this is what I found.

My allowance of 2" extra foam at the top was spot on.  There was a wee bit of excess around the edge to cushion the wood when the cover was tacked down.  There was a bit of excess foam around the sides, which was easily trimmed by folding the cover back and cutting with the electric knife.

However there's one big flaw with the A&D method...there is TOO MUCH FOAM where it meets the bottom of the seat - even though I allowed no extra at the bottom.

You see, the problem is that all that foam takes up valuable width for the bottom seat cushion.  The original squab ended where the two seat back panels met - 7" above the bottom.  I didn't have the patience to resolve this problem.

What I ended up doing was slicing 3" off the bottom of the foam.    I relied on the foam self-shaping when I pulled the cover down tight.  I got pretty lucky.

When everything is fitted and trimmed to you're liking, the foundation foam and the back side of the squab are sprayed with adhesive and stuck together.  Good luck getting lined up on the first try.


I commenced stapling the cushion to the seat back starting at top and bottom center...using REMOVABLE STAPLES...you know, the hand operated stapler, and short staples.  Pulling the cover tight, going around hardware and corners, getting the wrinkles out of the cover, and potentially having to reposition the entire pad, make it prudent for an amateur like me to be able to yank the staples out easily.

Eventually, once the cover was tight and smooth, I replaced the staples with tacks. My pneumatic stapler was too agressive, and there were many places on the seat where I couldn't get a stapler in anyway.  Using individual tacks also allowed me to be quite a bit more precise in placing each fastener.

One thing I don't have a picture of was, this is the first time I marked a tack line AND a trimming line on the material, which really helped.  I used a white "Stabilo" pencil to mark the lines.  The mark wipes off the vinyl with a damp paper towel.  The excess cover material was trimmed with a razor knife


At the bottom of the seat back cushion, however, I used a little different technique for fastening.  There was still too much bulk at the bottom of the cushion for me to be able to really staple down tight, right up against the joint between the seat back and bottom.  I also wanted to use a stiff strip of material as a "tacking strip" to reinforce the vinyl.  The strip of material I used happened to be a piece of narrow BioThane .  This material is so tough it could handle the pneumatic stapler.  So I used the stapler itself to compress the cover and pad right to the joint, and stapled securely to the bottom seat board.

This was all pretty hard work.  The above photo is the entirely finished seat, but at this point in the story, the next step was to trim all the excess material just inside the edge of the wood.  A little extra cover material had been left along the bottom sides and tucked in neatly around the edges of the foam, no stapling necessary.

I am going to end here because I have to feed the horses, and it's a good place to stop.  I will finish up doing the sides, applying edge welt and making a seat cushion in Part II.